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FELA! DEDICATES SPECIAL PERFORMANCE TO THE ACTORS FUND, JAN. 25

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by NYC News Desk

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FELA!, currently playing at the Eugene O'Neill on Broadway starring Lillias White and Sahr Ngaujah, will dedicate the January 25th performance to The Actors Fund, granting proceeds to the fund in support of their programs and services. The curtain rises on Monday the 25th at 8:00pm. For information on The Actor's fund, visit www.actorsfund.org.

Fela! features a multi-cultural cast led by Sahr Ngaujah (recipient of an Obie Award for his performance in the title role Off-Broadway) and Kevin Mambo (MTC's Ruined), alternating in the role of Fela Anikulapo-Kuti. Tony Award-winner Lillias White plays Funmilayo Anikulapo-Kuti (Fela's mother) and Saycon Sengbloh (Hair) plays Sandra, Kuti's love interest. The company also includes Corey Baker, Hettie Vyrine Barnhill, Lauren Deveaux, Nicole Chantal DeWeever, Elasea Douglas, Rujeko Dumbutshena, Catherine Foster, Rasaan-Elijah "Talu" Green, Shaneeka Harrell, Chanon Judson, Abena Koomson, Ismael Kouyate, Gelan Lambert, Farai Malianga, Shakira Marshall, Afi McClendon, Adesola Osakalumi, Jeffrey Page, Ryan H. Rankine, Daniel Soto, Jill M. Vallery, J.L. Williams, Iris Wilson, Aimee Graham Wodobode. Scenic and costume design is by Marina Draghici, lighting design is by Rob Wierzel, sound design is by Rob Kaplowitz and projection design is by Peter Nigrini. Musical arrangements and additional music by AaRon Johnson and Jordan McLean, and Jim Lewis provided additional lyrics.

Fela!, the new musical based on the life and music of groundbreaking African composer, performer and activist Fela Anikulapo-Kuti, is currently playing at Broadway's Eugene O'Neill Theatre (230 West 49th Street). Tickets for Fela! on Broadway are available through www.Telecharge.com, by calling (212) 239-6200 or in-person at The Eugene O'Neill Box Office, located at 230 West 49th Street.

Directed and choreographed by Tony® Award-winner Bill T. Jones with a book by Jim Lewis and music by the world-renowned Afrobeat band Antibalas, Fela! welcomes its audience into the extravagant, decadent and rebellious world of Afrobeat legend Fela Anikulapo-Kuti. Using his pioneering music (a blend of jazz, funk and African rhythm and harmonies), Fela! explores Kuti's controversial life as artist, political activist and revolutionary musician. Featuring many of Fela Kuti's most captivating songs and Bill T. Jones's imaginative staging, Fela! is a provocative hybrid of concert, dance and musical theater.

Fela Ransome Kuti was born in Abeokuta, Nigeria, north of Lagos in 1938. His father was a Christian schoolmaster, minister and master pianist and his mother was a world-recognized feminist leader, who was very active in the anti-colonial Nigerian women's movement during the struggle for independence.

Fela was educated in Nigeria amongst the indigenous elite. Ironically, many of his classmates in his Nigerian school would become the very military leaders he so vociferously opposed.

With medical aspirations for their offspring (Fela's older brother, Koye, was to become a Deputy Director of the World Health Organization and his younger brother, Beko, President of the Nigerian Medical Association) in 1958 Fela's parents sent him to London for a medical education. Instead, he registered at Trinity College's school of music where he studied composition and chose the trumpet as his instrument. Quickly tiring of European composers, Fela, struck by Miles Davis and Frank Sinatra, formed the Koola Lobitos in 1961, and his band became a fixture in London's club scene. Two years later, Fela returned to Nigeria, restarted the Koola Lobitos, and became influenced by James Brown. Trying to find an authentic musical voice, he added elements of traditional Yoruba, high life and jazz, and "Afrobeat" was born. In 1969, Fela's Koola Lobitos traveled to Los Angeles to tour and record. During his eight months in the US, with LA as a home base, Fela befriended Sandra Isidore, who introduced him to the writings and politics of Malcolm X, Eldridge Cleaver and other proponents of Black nationalism and Afrocentrism.

With this new politically explicit and critical worldview, Fela reformed the Koola Lobitos as Nigeria 70 and returned to Lagos. He founded a commune/recording studio called the Kalakuta Republic, complete with his own private nightclub, The Shrine, and Fela dropped his given middle name "Ransome," and replaced it with a Yoruba name "Anikulapo" (meaning "he who carries death in his pouch"). Playing constantly and recording at a ferocious pace, Fela and band (who were now called Africa 70) became huge stars in West Africa and beyond. His music served as a rallying cry for the disenfranchised, critiquing the military government, and made Fela not only a pop star but thrust him into political life. People took to the streets singing his songs and the military responded by viciously harassing Fela, jailing him and nearly killing him on several occasions.

In 1977, during a government-sanctioned attack on his Kalakuta Republic commune, Fela and other members of his commune were arrested; Fela himself suffered a fractured skull as well as other broKen Bones; a number of women living at Kalakuta were beaten and raped; and his 82-year old mother was thrown from an upstairs window, inflicting injuries that would later prove fatal. The soldiers set fire to the compound and prevented fire fighters from reaching the area. Fela's recording studio, all his master tapes and musical instruments and the only known copy of his self-financed film Black President were destroyed.

After the Kalakuta tragedy, Fela briefly lived in exile in Ghana, returning to Nigeria in 1978. A year later, he formed his own political party, MOP (Movement of the People) and ran for president in two elections, although his campaigning was consistently blocked by the military. As the '80s ended, Fela recorded blistering attacks against Nigeria's corrupt military government.

Fela Anikulapo-Kuti was arrested more than two hundred times in his life, and charged with almost every conceivable crime, although only serving one eighteen month sentence in jail for a currency violation. Despite this constant harassment he continued to live in Nigeria even though, as an icon in the international world of rock and roll, soul, jazz and hip-hop, he could have at any point abandoned Nigeria and led the life of an international music superstar. His death on August 3, 1997 of complications from AIDS deeply affected musicians and fans internationally, as a unique and ineffable musical and sociopolitical voice was lost. In Nigeria one million people attended his funeral. His incredible body of work, almost 70 albums, is now available, through public demand, all over the world.

Tickets range from $55.00 to $202.00 (including a $5.00 facility fee). The performance schedule at the Shubert Theatre is as follows: Tuesday at 7pm, Wednesday at 2pm & 8pm, Thursday - Friday at 8pm, Saturday at 2pm & 8pm, Sunday at 3pm. For more information and to purchase tickets, visit www.Telecharge.com or call 212.239.6200.

 

Source: BroadwayWorld.com'


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