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Ada Bobonis: Stages, Mountains, Water - Queens Museum of Art
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Date: 06/17/12 through 01/06/13
Hours: Closed Mon. & Tues.
Ages: All
Address: New York City Building, Flushing Meadows Corona Park - 718-592-5555
www.queensmuseum.org

Description: Ada Bobonis' site-specific installation entitled Stages, Mountains, Water transforms the Museum's second floor gallery space into an invigorating chromatic environment evoking the Caribbean landscape. Geometric compositions in hues of blue and green are either painted on the wall or adhered to the glass railing facade in the form of translucent color film. Alluding to horizons and vistas, expansive bodies of land and water, the work takes its inspiration from the Panama Canal, one of the icons of 19th century aspirations for the New World. The construction of the Panama Canal (1880 - 1914) was a historical triumph of international ambition at the turn of the century. Upon completion, the 51-mile-long ship canal connected the Atlantic Ocean to the Pacific Ocean by cutting across the Isthmus of Panama, and has since become a key conduit for global maritime trade. The area's topography is characterized by vast mountain vistas, the Gatun Lake, and the presence of the Panama Canal Locks (long vertical barriers of different sizes controlling the passage of over-sized ships), and is a spectacular fusion of the natural world and man's interventions upon it. Stages, Mountains, Water deftly renders the peculiar landscape of the Panama Canal in a minimal composition of color and shapes. While the color-treated glass railing facade creates an evocative aquatic effect, the "cloud of blades" overhead ? clustered sculptural cutouts spanning the gallery's ceiling - symbolizes man's forceful intercession in the natural landscape that profoundly altered the location. The installation further brings the view of Flushing Meadows Corona Park and the Unisphere, a 140-foot-high steel representation of Earth built as an emblem for the 1964 World's Fair, into the gallery space itself. Separated by exactly half a century, the Panama Canal and the Unisphere - both products of the state-of-the-art engineering of their time - echo each other with the timeless human aspiration for exploration they embody, whether by taming the power of the oceans or spanning the infinite reaches of outer space.


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